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NSW Curriculum
NSW Education Standards Authority

7–10Photography, Film and Digital Media 7–10 Syllabus (2025)

Implementation from 2028
Expand for detailed implementation advice

Content

Stage 5

Critical and historical practice
Intentions, choices and actions as a critic and historian
  • Investigate the history of, and advancements in, technology and photomedia practice and how they have contributed to the evolution of the camera, photograph and film

  • Research and explain the value and significance of photomedia practices, conventions and procedures that are informed by different times, places and contexts using different viewpoints

  • Explain how the photomedia artist’s intention, choice of materials and technical decisions shape the meaning and impact of a photomedia artwork

  • Investigate how editing, manipulation and digital enhancements represent or misrepresent reality and authenticity in photomedia artworks

  • Examine how photomedia artists use storytelling techniques, such as narrative structures, sequencing and multisensory codes, to convey meaning and engage the audience

  • Examine critical and historical accounts to understand how different viewpoints are used to interpret the significance of photomedia artworks

  • Investigate and apply the ways critics and historians construct and represent arguments about photomedia artists and their photomedia artworks

  • Create written texts about a variety of photomedia artworks to represent intentions, choices and actions, using critical and historical perspectives

  • Use subject-specific language to communicate and represent the meaning and significance of photomedia artworks using Artworld concepts and Viewpoints

  • Recognise and explain ways Aboriginal and/or Torres Strait Islander visual Storytelling preserves Culture and shares Knowledges across generations

  • Investigate the ethical implications of artificial intelligence (AI), Indigenous Cultural and Intellectual Property (ICIP), copyright and digital safety in photomedia practices, including authorship, originality and synthetics

  • Investigate how curators and production companies create accessible and inclusive experiences by intentionally displaying and screening photomedia artworks to engage audiences

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