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NSW Curriculum
NSW Education Standards Authority

7–10Visual and Motion Design 7–10 Syllabus (2025)

Implementation from 2028
Expand for detailed implementation advice.

Content

Stage 4

Critical and historical practice
Intentions, choices and actions as a critic and historian
  • Investigate the history of advancements in technology and visual and motion Loading  and how they have contributed to the evolution of design

  • Research and explain the value and significance of design practices that are informed by different times, places and Loading  using different viewpoints

  • Explain how designers balance structural form, functionality, aesthetics and user experience in the creation of design artworks

  • Investigate how design practices are influenced by consumerism, media, cross-cultural trends and global movements to inform Loading , choices and actions in design practice

  • Examine the purpose of branding in design, including to identify, inform, persuade and engage Loading  across various media and platforms

  • Identify the principles of sustainable design practice, with a focus on the lifecycle of design artworks, to inform designers’ intentions, choices and actions

  • Examine critical and historical accounts to understand how different viewpoints are used to interpret the significance of design artworks

  • Investigate and apply the ways critics and historians construct and represent arguments about designers and their design artworks

  • Create written Loading  about a variety of design artworks to represent intentions, choices and actions using critical and historical Loading 

  • Use subject-specific language to communicate and represent the meaning and significance of design artworks using Artworld concepts and Viewpoints

  • Recognise and explain ways Loading  visual Storytelling and design preserves Cultures and shares Knowledges across generations

  • Investigate the ethical implications of artificial intelligence (AI), Loading , Loading  and digital safety in design practices, including authorship, originality and synthetics

  • Investigate how curators represent meaning by intentionally selecting, organising and displaying design artworks to engage an audience

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