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NSW Curriculum
NSW Education Standards Authority

11–12Drama 11–12 Syllabus (2025)

Implementation from 2027
Expand for detailed implementation advice

Content

Year 12

Individual project

Students initiate, structure and shape an individual project in ONE of the following dramatic forms:

  • design (costume OR promotion OR set)
  • director’s folio
  • performance
  • scriptwriting
  • short film.

They craft a directorial vision for their project, selecting and applying dramatic elements, processes and contexts deliberately to shape an engaging dramatic journey for an audience. They apply their knowledge of dramatic forms, styles and conventions to shape meaning with creative intent for audience engagement. Through layering ideas and refining their creative choices, students realise a coherent, aesthetic experience appropriate to form and style.

Students study the content that relates to their chosen area of specialisation.

Costume design
  • Research the purpose of costume design and approaches to developing designs from a range of industry contexts

  • Create a design concept to support the directorial vision of a prescribed work and realise creative intent

  • Select characters and scenes from the prescribed work to create costume renderings that communicate meaning for the directorial vision and design context

  • Select and apply design choices, including colour, texture and fabric, to create audience engagement

  • Identify issues and apply solutions to costume design that support the characters’ dramatic and technical needs

Promotion design
  • Research the purpose of and approaches to developing theatre promotional material from a range of industry contexts

  • Create a design concept for promotional materials to support the directorial vision of a prescribed work and realise creative intent

  • Select and manipulate images, colours, symbols, motifs, vectors and other visual design elements to communicate meaning based on the directorial vision and theatre context

  • Select and apply language conventions to express and promote work and create audience engagement

  • Identify issues and apply solutions to unify the promotional design concept

Set design
  • Research the purpose of set design and approaches to developing set design construction from a range of industry contexts

  • Create a design concept for a set to support the directorial vision of a prescribed work and realise creative intent

  • Select design features and scenic requirements, including stage space, texture, colour and composition, to communicate meaning based on the directorial vision and theatre context

  • Select and apply design tools, process and materials to influence audience engagement

  • Identify issues and apply solutions to set design that support the integrity of the set design concept

Director’s folio
  • Research approaches and conventions used by dramatic practitioners to interpret and shape scripted works for production

  • Create a directorial vision for the prescribed work, manipulating dramatic contexts, processes and elements to explore possibilities for aesthetic and dramatic meaning

  • Use dramatic, theatrical and design elements, including scenography and dramatic moments, to structure the dramatic journey for audience engagement

  • Communicate meaning to a theatre audience using costume, lighting, sound and performance choices that realise the directorial vision and creative intent

  • Document the processes used in the making, development and realisation of their directorial vision, including research, script analysis, rehearsal techniques and production plans

Performance
  • Research approaches to solo performance using dramatic processes, considering style and context

  • Create a directorial vision for the performance using dramatic processes to structure the dramatic journey and engage an audience

  • Select and apply elements of performance to refine and realise the role and/or character that is aligned to a directorial vision and realise the directorial vision and creative intent

  • Communicate meaning to an audience using skills in voice and movement

  • Interpret and apply dramatic features through rehearsal to realise the directorial vision

Scriptwriting
  • Research approaches to scriptwriting to investigate the ways scripted works create meaning for practitioners and audiences

  • Create dramatic action with an awareness of performance and production purposes to realise creative intent

  • Use language to shape characters, relationships and dramatic action to shape dramatic journey appropriate to dramatic form and style

  • Use dramatic language to communicate subtextual, symbolic and thematic meaning to shape performable moments

  • Select and apply dramatic, stylistic, structural and thematic features in the composition process to refine and realise creative intent

Short film
  • Research approaches to creating short film as a dramatic form and investigate developing short film in industry contexts

  • Create a directorial vision for the film that communicates visual and aural meaning for screen

  • Use dramatic elements, screenwriting, narrative structure and dramatic action to structure the dramatic journey and engage an audience

  • Manipulate casting, costume, location, lighting, sound and other production elements to maintain and realise the directorial vision and creative intent

  • Investigate and analyse relevant stylistic, structural and thematic conventions or ideas to inform pre-production and post-production processes that support the communication of intended meaning

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