11–12Visual Arts Life Skills 11–12 Syllabus (2026)
The new Visual Arts Life Skills 11–12 Syllabus (2026) is to be implemented from 2028 and will replace Visual Arts Life Skills Stage 6 (2009).
2027
- Plan and prepare to teach the new syllabus
2028, Term 1
- Start teaching the new syllabus for Year 11
- Continue to teach Visual Arts Life Skills Stage 6 (2009) for Year 12
2028, Term 4
- Start teaching the new syllabus for Year 12
Content
Life Skills
Through collaborative curriculum planning, it may be decided that Life Skills outcomes and content are the most appropriate option for some students with intellectual disability.
Practice means understanding what it is like to be an artist, art critic or art historian. It is about understanding their roles and ways of working, including how artists make artworks and how art critics and art historians interpret and communicate ideas about art. Students learn about Practice by exploring what different people in the art world do, recognising that they may work in different ways as well as how their roles are interconnected. Practice includes both thinking about ideas and meaning, and making artworks. Students learn how to practice by investigating the way practitioners work and what they produce. Practitioners can include artists, craftspeople, designers, architects, art critics, art historians and curators.
Practice involves students learning about the ways that artists make art. This includes the ideas that inspire artists, the materials and techniques they choose and the actions they take to make their work, and how these choices help communicate ideas and viewpoints. Students explore how artists use their choices to communicate ideas and meaning through their artworks, including their intended message or viewpoint. They learn that these ideas are influenced by the world around them. Students learn that audiences may interpret artworks in different ways, and that these meanings may be different from what the artist intended.
In Practice, students develop their art making skills as they explore different art forms, such as drawing, painting, sculpture and digital media, and by finding the materials and methods that suit their own interests and abilities. They learn about the different ways of working, such as the processes and techniques artists use. They discover that artists can change over time as they develop new skills, use new processes or technologies, or respond to the world around them.
Students learn about how the choices they make and the actions they take help communicate ideas in their art making. These decisions become the messages, meanings or viewpoints they want to share. This includes making decisions about selecting, arranging and presenting their work, and understanding that these choices help shape how meaning is communicated to an audience. They explore how different materials, techniques or styles can be used to communicate ideas in their work and how these choices may be interpreted in different ways by audiences. They learn that reflecting on their art making and making decisions is an important part of Practice. They reflect on their own art making by communicating about what materials and techniques they tried, what worked well, what they might change and whether their choices clearly represent the ideas or messages they intended.
Students explore how different practitioners work, the contributions they make to the visual arts, and the changing nature of practice and the artworld over time. They consider the cultural or historical contexts that influence artworks, including the relationships between artists, artworks, audiences and the wider artworld. They develop an understanding of the value of the visual arts to individuals, communities and society, helping them to recognise the range of pathways available within the industry.
The Artworld concepts of Artist, Artwork, Audience and World are connected to each other and work together to help explain how art is made and understood. These concepts show that artists make artworks, artworks communicate ideas and meaning, audiences view and interpret artworks and artworks are influenced by the world, including the time, place and context in which they are made. These ideas influence each other and help explain how art is experienced and understood in the artworld. For example, an artist’s ideas can shape an artwork, and audiences may understand that artwork in different ways. Artworks can be understood differently depending on when and where they are viewed and meaning can change over time.
In Art making, students explore the world around them and how they represent their ideas to an audience.
In Art criticism and art history, students represent their understanding of the relationships between the artworks, artists, the world and audiences.
Artist
An artist is a maker of artworks and includes animators, architects, craftspeople, designers, filmmakers, photographers and performers. Artists may work on their own, with others, or as part of a group. In Art making, students make intentional choices as artists and develop habits in relation to their practice. In Art criticism and art history, students consider the choices and practice of the artist and use this as inspiration in their own art making.
Artwork
Artworks are conceived and made by artists working individually or collaboratively. Students learn that artworks can take many forms, including 2D, 3D and 4D works, and may be physical, digital or hybrid. Each art form offers different ways for artists to communicate ideas. Artworks are shaped by the choices the artist makes during their creative process, from selecting materials and techniques to developing concepts and intentions. These decisions influence the material qualities of the artwork, such as texture, form, colour or structure, as well as its conceptual properties, including symbolism, meaning and artistic purpose.
In Art making, students make choices about subject matter, materials and techniques. In Art criticism and art history, students consider how artists’ choices, including how artworks are made and presented, communicate ideas about their personal experiences or the world around them, and how these ideas may be interpreted by an audience.
World
Artists draw on the world around them as a rich source of interests, ideas and events that inspire and inform their artworks. The world provides the social, cultural, political and environmental contexts that shape what artists choose to explore. Through their subject matter, ideas and technical practices, artists represent these aspects of the world in diverse ways, capturing personal experiences, responding to global issues or reflecting the beliefs and values of their communities. In doing so, artists not only depict the world but also interpret and question it, offering audiences new ways of seeing and understanding the world they share.
In Art making, students use the world around them as inspiration for their own artworks. In Art criticism and art history, students consider the subject matter of artworks and what they communicate about the world.
Audience
For the audience, meaning is shaped by how viewers interpret artworks, the ideas and messages they understand, and the personal and cultural perspectives they bring to the experience. Audiences include art critics, art historians, curators, writers, theorists, students, teachers and members of the public. Audiences draw on their own knowledge, beliefs and experiences to make sense of what they see, which results in a wide range of interpretations. This diversity of viewpoints highlights that artworks do not have a fixed meaning. Instead, meaning is constructed through the interaction between the artwork and each audience member when viewing artworks.
In Art making, students consider how audiences might interact with and interpret the artwork being made. In Art criticism and art history, students respond to artworks as audience members, engaging with and interpreting meaning from artworks through their own individual perspectives.
Viewpoints provide a framework to help art critics or art historians and audiences explore, interpret and explain Artworld concepts as well as the processes involved in making artworks.
Students use Viewpoints to frame the intentions, representations, actions and choices that inform their own art making. They use Viewpoints to support their interpretation of artworks by connecting the artwork to the time, place and context in which it was made. They learn that interpretations of artworks can change over time.
Structural viewpoint
Meaning in artworks is shaped through the use of visual and multisensory language that guides how audiences interpret ideas, stories and experiences. Artists make deliberate choices about materials, techniques, processes and conventions, and these choices influence how meaning is communicated and perceived.
In Art making, students learn how visual and multisensory language can be used to represent ideas and select signs, symbols and multisensory elements to represent meaning in their own artworks. In Art criticism and art history, students explore how visual and multisensory language is used in others’ artworks and interpret the meaning of artworks through this language.
Subjective viewpoint
Artworks express the personal experiences, feelings, emotions and imaginative responses of the artist, revealing how individuals understand and interpret their world. An artist’s lived experiences shape their art making, influencing the ideas they explore, the stories they tell and the ways they choose to represent meaning.
In Art making, students make artworks that represent ideas about their personal experiences, feelings and emotions, and responses to the world around them. In Art criticism and art history, students explore how personal experiences are represented in artworks.
Cultural viewpoint
Artworks represent ideas that hold social and cultural significance, reflecting the values, beliefs and shared experiences of different communities. Artists communicate important events, traditions, rituals or collective experiences that shape the identities of individuals or groups, using their artworks to show how people live, connect and respond to their world.
In Art making, students make choices about materials, techniques and forms to make artworks that are influenced by their own cultural experiences or that communicate ideas about the cultural experiences of others. They learn about respectful protocols for representing cultural experiences in art making. In Art criticism and art history, students explore how artworks represent culture and how the artists may be influenced by culture when making artworks.
Contemporary viewpoint
Artists use new and emerging technologies, art forms and contexts to expand the possibilities of art making and respond to the rapidly changing world around them. They make artworks that challenge or rethink established views, conventions, power systems, histories or narratives through experimentation and innovative practices. Students learn that artworks can question who has power, use humour or unusual ideas, and connect to different times and places. The roles of artists, artworks and audiences are connected and influence each other in different ways. Audiences are encouraged to think and interact with artworks in new and different ways and can often help shape meaning in artworks.
In Art making, students engage in experimentation to explore different interpretations of what art can be. They modify, reinterpret or reappropriate images from a variety of sources, including popular culture. In their artworks, students represent their ideas using technologies, materials and forms, often incorporating non-traditional materials and combining different art forms across areas of practice.
In Art criticism and art history, students explore artworks, artists and artistic practices that go beyond what is considered traditional and recognise how contemporary artworks can reflect, challenge and shape our understanding of the world. Artists are collaborators, storytellers and innovators who provoke and critique the world around them, responding to social, cultural and political issues through their practice.