Overview
Syllabus overview
Some students with intellectual disability may find Years 11–12 Life Skills outcomes and content the most appropriate option to follow in Stage 6. Before deciding that a student should undertake a course based on Life Skills outcomes and content, consideration should be given to other ways of assisting the student to engage with the outcomes of the equivalent Stage 6 course. Students with disability can access syllabus outcomes and content in a range of ways, including through a range of adjustments to teaching, learning and assessment activities. Decisions regarding curriculum options should be made in the context of collaborative curriculum planning.
Life Skills outcomes cannot be taught in combination with other outcomes from the equivalent Stage 6 course. Teachers select specific Life Skills outcomes to teach based on the needs, strengths, goals, interests and prior learning of each student. Students are required to demonstrate achievement of one or more Life Skills outcomes. Students may access or demonstrate learning in a range of ways, including using aspects of their home languages and dialects, or using their preferred communication form(s).
The Music Life Skills 11–12 Syllabus aligns with the Music 1 11–12 Syllabus to provide opportunities for integrated delivery.
Organisation of Music Life Skills 11–12
The organisation of the Music Life Skills 11–12 Syllabus illustrates the central role of Music context and Elements of music. The course is structured to provide students with opportunities to develop their understanding through the exploration of a diverse range of repertoire. The focus areas allow students to develop their knowledge, understanding and skills as they engage with performing, listening and responding, creating and composing, and safe and ethical practices.
Figure 1 shows the organisation of Music Life Skills 11–12.
Image long description: Three focus areas appear in a row of boxes at the top of the diagram. They are Contexts of music; Creative practice; and Music in focus. Four boxes with content groups appear in a row in the centre of the diagram. They are Performing; Listening and responding; Creating and composing; and Safe and ethical practices. An additional 3 focus areas appear in a row of boxes at the bottom of the diagram. They are Music of the last 25 years (Australian focus); Music across cultures, traditions and time; and Music for screen, stage and story. A line with the text ‘Music context and Elements of Music’ encircles the focus areas and passes through the 4 content groups.
Protocols for collaborating with Aboriginal and Torres Strait Islander Communities and engaging with Cultural works
NESA is committed to working in partnership with Aboriginal Communities and supporting teachers, schools and schooling sectors to improve educational outcomes for young people.
It is important to respect appropriate ways of interacting with Aboriginal Communities and Cultural material when teachers plan, program and implement learning experiences that focus on Aboriginal and Torres Strait Islander Priorities.
Indigenous Cultural and Intellectual Property (ICIP) protocols need to be followed. Aboriginal and Torres Strait Islander Peoples’ ICIP protocols include Cultural Knowledges, Cultural Expression and Cultural Property and documentation of Aboriginal and Torres Strait Islander Peoples’ identities and lived experiences. It is important to recognise the diversity and complexity of different Cultural groups in NSW, as protocols may differ between local Aboriginal Communities.
Teachers should work in partnership with Elders, parents, Community members, Cultural Knowledge Holders, or a local, regional or state Aboriginal Education Consultative Group. It is important to respect Elders and the roles of men and women. Local Aboriginal Peoples should be invited to share their Cultural Knowledges with students and staff when engaging with Aboriginal histories and Cultural Practices.